Showing posts with label Medici. Show all posts
Showing posts with label Medici. Show all posts

Thursday, 26 June 2025

Almost 500 years since the death of Niccolò Machiavelli

Niccolò Machiavelli died almost 500 years ago on 21 June 1527 at the age of 58, and yet he lives on as a founder of modern political analysis and the inspiration for the expression "Machiavellian". He was a great Florentine who is probably too narrowly identified as the author of Il Principe (The Prince) which he wrote around 1513. It was published in 1532, five years after his death. For many years, Machiavelli served as a senior official in the Florentine Republic with responsibilities in diplomatic and military affairs. He wrote comedies, carnival songs and poetry, and he has often been called the father of modern political philosophy and political science

Portrait of Niccolò Machiavelli by Santi di Tito

Portrait of Niccolò Machiavelli by Santi di Tito

In 1494, Florence restored the republic, expelling the Medici family that had ruled Florence for some sixty years. In August 1512, the Medici, backed by Pope Julius II, used Spanish troops to defeat the Florentines at Prato. In the wake of the siege, Piero Soderini resigned as Florentine head of state and fled into exile. The experience would, like Machiavelli's time in foreign courts and with the Borgia, heavily influence his political writings. The Florentine city-state and the republic were dissolved, with Machiavelli then being removed from office and banished from the city for a year. In 1513, the Medici accused him of conspiracy against them and had him imprisoned. Despite being subjected to torture, he denied involvement and was released after three weeks.

L'Albergaccio - Casa Machiavelli

L'Albergaccio - Casa Machiavelli

Machiavelli then retired to his farm estate at Sant'Andrea in Percussina, near San Casciano in Val di Pesa, where he devoted himself to studying and writing political treatises. During this period, he represented the Florentine Republic on diplomatic visits to France, Germany and elsewhere in Italy. A wonderful letter from Machiavelli to Francesco Vettori, dated 10 December 1513, evokes Machiavelli's life in rural exile:

"When evening comes, I return home and enter my study; and at the door I take off my everyday clothes, covered in mud and dirt, and put on royal and courtly clothes; and dressed appropriately, I enter the ancient courts of ancient men, where, lovingly received by them, I feed on that food which is mine only and for which I was born; where I am not ashamed to speak with them and ask them the reason for their actions; and they, out of their humanity, answer me; and for four hours I do not feel any boredom; I forget every worry, I do not fear poverty, I am not frightened by death; I transfer myself entirely to them. And because Dante says that one does not make science without retaining what has been understood, I have noted what I have capitalised on through their conversation, and composed a pamphlet entitled Principatibus (Of Principalities, later published as in Italian as Il Principe)."

The main idea of Machiavelli's The Prince closely reflects the times in which he lived. An effective ruler must understand how to seize and maintain power rather than attain some kind of moral purity. In other words, princes should learn to rule rather than learn to be "good". As a treatise, the main contribution of "The Prince" to the history of political thought is the distinction it makes between political realism and political idealism. In contrast with Plato and Aristotle, Machiavelli insisted that an imaginary ideal society is not a model that a prince should adopt. Joshua Kaplan maintains that Machiavelli emancipated politics from theology and moral philosophy. He undertook to describe simply what rulers actually did and thus anticipated the scientific spirit in which questions of good and bad are ignored, and the observer attempts to discover only what really happens.

Collected works of Machiavelli

Collected works of Machiavelli

Machiavelli was buried at the Church of Santa Croce in Florence. In 1789 George Nassau Clavering and Pietro Leopoldo, Grand Duke of Tuscany, initiated the construction of a monument on Machiavelli's tomb. It was sculpted by Innocenzo Spinazzi, with an epitaph by Ferroni inscribed on it.

Machiavelli's house is now a well-regarded restaurant where the room and table where Machiavelli worked are preserved and can be visited by patrons of the restaurant.

More about Niccolò Machiavelli.


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Saturday, 12 October 2024

Il Palazzo di Bianca Cappello in the Oltrarno of Florence, Tuscany

Il Palazzo di Bianca Cappello in the Oltrarno of Florence, Tuscany

Il Palazzo di Bianca Cappello

During the first half of the 15 C, at Via Maggio 26, in the Oltrarno area of Florence, there was a palazzo belonging to the Corbinelli family, purchased in 1566 by Piero Buonaventuri, husband of the Venetian noblewoman Bianca Cappello. This palazzo was a setting of one of the most talked about love stories of the Renaissance, that between Bianca Cappello and Grand Duke Francesco de' Medici, son of Cosimo de' Medici. During the period in which they were still clandestine lovers, to meet secretly, Bianca and Francesco used an underground passage that starts from the cellars of the palazzo and reaches the Palazzo Pitti, a block away. During World War II, numerous art works from the Vasari corridor were stored in the passage for safekeeping. Today the passage is no longer passable.

Bianca Cappello

 Bianca Cappello

After Bianca was widowed, she was able to modernise and embellish her palazzo under the supervision of Bernardo Buontalenti and with financial support from Francesco. The façade was renovated with rich graffito decoration created by Bernardino Poccetti.

On 12 October 1579, Francesco I de’ Medici and Bianca Cappello married for the second time amongst great celebrations, despite the hostility of the Medici family. The ceremony between the Grand Duke and the "Daughter of Venice" followed the one that had taken place secretly in June of the same year.
After the wedding, Bianca donated the palazzo to the Hospital of Santa Maria Nuova and subsequently the grotesques were painted on the façade.

Grand Duke Francesco I de' Medici
Grand Duke Francesco I de' Medici

This story remains intriguing right up until the present day, not least because of the tragic deaths of both Bianca and Francesco, within 24 hours of one another, at the Medici villa of Poggio a Caiano under suspicious circumstances that have never been clarified.

More about Francesco I de’ Medici and Bianca Cappello.

More about the Villas and palazzi of Tuscany.

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Sunday, 6 March 2022

The Medici. Masters of Florence. Use of digital backgrounds to re-create Renaissance Florence.

The TV series "I Medici" premiered on Italian television in 2016. I haven't had a chance to watch the whole series but I was greatly entertained to see in some clips how they re-created Renaissance scenes using digital composites. I'll show one or two here and add some more in due course.

Here's a scene which represents one of the gates of Florence during Renaissance times.

A scene from the TV series on the Medici family

A scene of Florence from the TV series on the Medici family

Observant readers (all of my readers are observant) will notice, first, that the Duomo sports the decorative facade that was added in the 19 C. The original facade was the raw brickwork that we still see on some other Florentine churches. So that was a blooper that they hoped no one would see - or perhaps they didn't know? It would have been easy to photoshop the facade for the digital background of this scene. The dome is depicted as completed, but that might be correct, depending on the period represented. Elsewhere in the series they make a big deal of the uncompleted dome.

The original facade of the Duomo of Florence
 
The original facade of the Duomo of Florence

Now let's look at the gate where live action is taking place in the film. That's the Etruscan gate at Volterra with the fake Florence in the background.

The Etruscan gate at Volterra in Tuscany

The Etruscan gate at Volterra in Tuscany

Now what about the Ponte Vecchio? Here it is in the series with its four arches - whoops, how many?

The fictional Ponte Vecchio in Florence

The digital Ponte Vecchio in Florence

The Ponte Vecchio has three arches (see below) and, furthermore, the Vasari Corridor, which is depicted on the bridge in the digitalised background of the TV series, was not built until 1565 (by the Grand Duke Cosimo I de’ Medici).

The Ponte Vecchio as it looks today in Florence

The Ponte Vecchio as it looks today in Florence

Now here's a Tuscan countryside backdrop from the scene leading up to the death of  Giovanni di Bicci de’ Medici (who died during February when the grape vines have no leaves and it's way too cold to be munching grapes outside). Oh, and he was not poisoned or murdered in any other way.

Vineyards in Tuscany

Vineyards in Renaissance Tuscany according to I Medici

Vineyards like this didn't exist much before 1950. These are post-war grape vines. We call them "Fiat vineyards" because the rows of vines are planted just wide enough apart for a Fiat caterpillar tractor to plough between them. Prior to that, Tuscan farms used the method known as "cultura promiscua" where vegetables, wheat, olive trees, vines etc were planted in close proximity. In Renaissance times, grape vines were grown more or less wild through trees. Children used to climb up for the bunches of grapes which they threw down to the adults below. Furthermore, most of the Tuscan countryside was planted with wheat, with far fewer olive trees on cultivatable ground and even fewer grape vines. 'F' for that one, I'm afraid.

Next time you want to film a TV series on location in Tuscany, maybe hire me as an advisor!

More about Volterra.

More about the history of the Medici family in Tuscany.

More about the history of the Medici.

More about films shot in Tuscany.

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Saturday, 13 November 2021

The Medicean Villa dell'Ambrogiana might become part of the "Uffizi Diffusi" project

A new and interesting possibility has arisen recently as part of the "Uffizi Diffusi" project in which works stored at the Uffizi Gallery in Florence will be displayed at other locations throughout the Province. The idea is to make more works of art easily accessible to the public as well as to enhance the touristic attractiveness of the new sites. The Villa Medicea dell'Ambrogiana, which is a splendid Renaissance villa located near Montelupo Fiorentino, might become a major location forming part of the project. Historically, the land and farm buildings, presumably including a villa, belonged to the Ambrogi family (hence the name) and were acquired by the Medici family prior to 1574. The latter built a huge hunting lodge on the site and this later became one of Cosimo III's favourite rural retreats. However, in the 19th Century, the Grand Duke Leopoldo II decided to transform the already crumbling villa into a remand home and then into a psychiatric prison, and this contributed substantially to its decline.

Villa Medicea dell'Ambrogiana

Villa Medicea dell'Ambrogiana

During November 2021, a government minister visited the villa and appeared to support the idea of central government funding to restore the Villa dell'Ambrogiana in order to house there paintings currently mostly in storage at the Uffizi, including some of those recently removed from the Vasari Corridor. The minister noted that "There are at least 100 works that today lie in the deposits and were historically here in the Medici villa dell'Ambrogiana, from the still lifes by Bindi, to the religious paintings by Cinqui that decorated that 'brother' of the Corridor Vasariano that we have right here at the Ambrogiana." There was even a suggestion that restoration could begin as early as 2022. The gardens are already in good condition and the building needs basically to be earthquake-proofed and given a coat of paint.

Montelupo Fiorentino is already well-know for the production and sale of Italian majolica, and is anyway well worth a visit for that reason.

More about Montelupo Fiorentino.


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Monday, 26 April 2021

17th century fresco uncovered in the Uffizi during covid-19 closure.

It seems that work continued in the Uffizi Galleries in Florence while they were closed as part of the battle against Covid-19. During renovation work, lost frescoes were discovered. The director of the Uffizi, Eike Schmidt, said that the six months of closure were put to good use, renovating 14 new rooms that will open to the public next month, and discovering frescoes that would otherwise have remained hidden. The previously hidden frescoes include a life-size figure of a young Cosimo II de Medici dating from the 1600s, as well as decorative plant motifs from the 1700s on the walls and ceiling of nearby rooms.

Newly uncovered fresco in the Uffizi depicting Cosimo II de Medici


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